Stella Hanan – Harpers Bazaar France – Oliver Hadlee Pearch – May 2025

April 28, 2025

Stella Hanan stars on the cover for Harper Bazaar France’s May 2025 issue. Shot by Oliver Hadlee Pearch and styled by Robbie Spencer, with hair by Alex Brownsell and makeup by Mel Arter. Casting by DM Casting.

Mila van Eeten – Tom Ford – April 2025

April 28, 2025

Mila Van Eeten shoots in the recent campaign for Tom Ford’s Icon’s Collection 2025.

Parker van Noord – Versace – Zoe Ghertner – Summer 2025

April 25, 2025

Parker van Noord shoots with Zoe Ghertner for Versace’s Summer 2025 campaign. Casting by DM casting.

Dana Smith – Harpers Bazaar France – Marie Valognes – May 2025

April 25, 2025

Dana Smith shoots with Marie Valognes for Harpers Bazaar France May 2025 issue. Styled by Malina Joseph Gilchrist with hair by Louis Ghewy and makeup by Christine Corbel. View Story

Linda Evangelista – Harpers Bazaar – Anthony Seklaoui – May 2025

April 24, 2025

Linda Evangelista graces the cover of Harpers Bazaar’s for their May 2025 issue. Shot by Anthony Seklaoui and styled by Carlos Nazario, with hair by Mustafa Yanez and makeup Dick Page. Casting by The Establishment. View Story

Dorit Revelis – Vogue Netherlands – Jorin Koers – May 2025

April 22, 2025

Dorit Revelis shoots for the cover of Vogue Netherland’s May 2025 issue. Shot by Jorin Koers and styled by Linda Gümüs Gerritsen. Hair and makeup by Magdalena Loza. View Story

Suvi Koponen – WSJ – Dario Catellani – April 2025

April 17, 2025

Suvi Koponen travels to Stomboli Italy for WSJ April 2025, shot by Dario Catellani . Styled by Vittoria Cerciello, with hair by Massimo Gamba and makeup by Giulia Cigarni. Casting done by Julia Lange. View story

Emily Ratajkowski – Notes on Beauty – Inez & Vinoodh – Summer 2025

April 16, 2025

Emily Ratajkowski and Inez and Vinoodh reunite for Note’s on Beauty debut 2025 issue. “Like most women, my relationship to beauty has been fraught. My experience has been particular, I started modeling as a child at the age of 12. I learned early in my life to think of beauty primarily as a commodifiable asset. It’s been over twenty years of working as a person who sells my image; my beauty. It’s only been in the last few years, after making things, after becoming the artist instead of the muse and after becoming a mother, that I’ve started to think of beauty in a more expansive way. It’s really just the beginning, though.”